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Sunday, December 25, 2011
Marlena Shaw - California Soul [Drum Cover]
Saturday, December 10, 2011
How To Assemble 5 Piece Drum Set (1 of 2)
Friday, December 2, 2011
Silverstein - The Artist [Drum Cover]
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Monday, November 28, 2011
Taye Drums SB520J-SPK-NBB Studio Birch Jazz Shell Pack
!±8±Taye Drums SB520J-SPK-NBB Studio Birch Jazz Shell Pack
Brand : Taye DrumsRate :
Price : $1,061.40
Post Date : Nov 28, 2011 14:09:36
Usually ships in 24 hours
20x16 bass drum, 10x8.5 & 12x9 rack toms mounted on the slide track bass drum mount, 14x14 floor tom, 14x5 snare drum, Natural to Black Burst acquer finish. 100% Birch Shells
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Wednesday, November 23, 2011
Mighty Mighty Bosstones - The Impression That I Get [Drum Cover]
Friday, November 18, 2011
More on Drum Tuning!
*WHAT WE WANT TO DO IS FIND THE OPTIMUM NOTE FOR THE DRUM.*
By evenly adjusting the tension you will eventually find the note or tonality that is pleasing to you. Personally, I usually find that it is a medium to slightly less than medium tension that is most pleasing to my ear. I also find that this is also very effective in the studio.
If you're looking for 'that note' for yourself and searching for where that tonality is then I suggest you go and listen to the best studio players again.
Take a break and listen.. this is important and you don't want to skip over this...
Let me suggest some subliminal listening choices here. Listen to Steve Gadd, Paul Leim, Jeff Porcaro, J R Robinson, Bernard Purdie and Vinnie Coliauta for starters. All monstrous studio legends. Try to find original recordings not Youtube performances. This will give you a better perspective.
You'll find a remarkable similarity in the tonalities.
*BACK TO DRUM TUNING.*
At this point once I've found that tension, I place the bottom head on the drum and repeat the process. By bringing the bottom head up to a similar tension and just slightly higher I can get the optimum note out of the drum as it pertains to my ear and my taste. It takes a few minutes of tweaking but then the drum gets close and then it 'sings'.
Make sure when you're checking the tuning that you hold the drum up with your hand by the rim or the lugs, as if it were suspended by the hardware. Strike the drum and then make very small adjustments to the tuning. When you're checking tuning you want to recreate the physical environment that the drum lives in as closely as you can.
Snare Drums
The same process applies to the snare drum as well. Start with a great instrument, good head selection, application and tuning and you're well on your way. One note, if you play using a lot of rim on the snare be careful to watch your lugs under your stroke position. They tend to loosen off quickly.
Here is an issue that is often overlooked. The snares themselves are very delicate. Be careful to maintain not only the health of your bottom snare batter but the snare wires particularly. Inspect them every time you put your snare drum on the stand! They are responsible for creating an extremely important part of your sound!
I always carry a set of wire cutters with me in my toolbox in case I break a snare wire. If I do break one I'm very careful to trim it back as far as I can and to check the balance of the snares making sure that they're unimpeded and vibrating properly.
Regarding snare tuning and variety I usually show up to a session with 4 snares. The producer will choose one of the given snares depending on the material. I carry a Ludwig Black Beauty brass snare, a Taye maple wood snare, a Pearl piccolo brass snare and a DW maple wood soprano snare. All drums have the same head selection as previously stated.
Remember! When you set up your snare on the stand make sure the snares underneath are running under the placement of the top snare microphone. Engineers again say that they can hear more top end from the snare from this type of drum placement.
*BASS DRUM TUNING.*
The best way I can describe bass drum tuning is that I want to portray a certain attitude. I try to give myself all the flexibility I can in my general tuning and I use all the options afforded to me. When I say general tuning what I mean is that I want the drum to sound great whether it is hit hard or soft.
First of all I would say that one should never show up to a session without a front head and a fine head that resonates. It should be controllable though.
What I mean by that is it should not be wide open with no dampening. By cutting the hole in the front of the head several things are accomplished. The engineer can access the inside of the drum for micing purposes. You're able to adjust your dampening inside the drum to both front and backheads. And you're able to adjust the dampening of the front head.
The front head plays a vital part in the present day bass drum sound and creates the lower octave and required decay of the drum. But it needs to be adjusted constantly depending on the room or the acoustical situation.
So:
*DON'T SHOW UP TO A SESSION WITHOUT A WELL TUNED FRONT HEAD ON YOUR BASS DRUM! BUT...DON'T SHOW UP TO A SESSION WITH A CLOSED FRONT HEAD EITHER!*
Regarding the bass drum muting:
I add a little padding that I can adjust. I have a sandbag that rests in the bottom of the drum that will stay where I put it. I can apply more to the beater head or less depending on what the producer wants. Sometimes we take it right out and let the drum ring openly. The idea though is that you want flexibility in this area. You don't want a big bed pillow in your bass drum but you do want the ability to alter the decay and tonality when necessary.
I may also loosen off the 2 top lugs at the top of the beater side of the bass drum if I want more thud or slap and less tone or ring to the drum.
Monday, November 14, 2011
Taye Drums SM522S-SPK-JVB Studio Maple Stage Shell Pack
!±8± Taye Drums SM522S-SPK-JVB Studio Maple Stage Shell Pack
Post Date : Nov 14, 2011 21:12:05 | Usually ships in 24 hours
22x18 bass drum, 10x8.5 & 12x9 rack toms mounted on the slide track bass drum mount, 16x16 floor tom, 14x6 snare drum. Java Burst Lacquer finish.
- 100% Maple Shell
- Full & Articulate Tone
- EFS Shell Technology
Wednesday, November 9, 2011
About Taye Drums Worldwide
Taye drums presently provides four instrument ranges starting at a range targeted at newcomers and students to ranges that have pro calibre to rare and collectible ranges. Featuring "Better Drums For Less Money," their stress is securely upon value.
Only when the company recruited Ray Ayotte to their team, did they become a leading brand in the field of custom drums. Ray only recently separated from his famous business the Ayotte company, which he founded, when Taye drums approached him and asked him to be part of their selective team.
Ray Ayotte has been widely credited with building Taye drums reputation, as he lead Taye drums to become a completely independent manufacturer drums and drumming equipment. The Taye company designs and fabricates all of their drums,parts and accessories independently.
The instrument making brand boasts over 20 unique features on their wide range of drums, some of these features are that which no other drum manufacturers have. Some of these features are the Snare Release, SideLatch, PockitHinge bracket and Slide Track Tom Holder as well as many more.
The music company's kits and sets are now made in six different ranges, these are: Taye original, Studio Maple, Tour pro, Go Kit, Pro-X and Rock-pro. These are made in four different style for the different styles of play that is done between different genres.The different genres the styles are made for are; stage Jazz, classic and fusion. These Different ranges and styles also come in a wide range of styles, and Taye drums offers many extras and accessories to add to them.
Although Taye has been around for over three decades it is still one of leading and most popular drumming brands in the music industry and is the chosen brand my many famous musicians from an extensive range of genres.
All of their instruments are made with the utmost care down to even the finest details. To bring you excellent feel, sound and product quality assurance so you can buy the Taye brand with confidence.
Saturday, October 29, 2011
Taye Drums RockPro 18" Floor Tom Jet Black
!±8± Taye Drums RockPro 18" Floor Tom Jet Black
Post Date : Oct 29, 2011 10:02:38 | Usually ships in 1-2 business days
This add-on musical floor tom drum is from the drum set that started it all. RockPro drums are designed for sound and value. Constructed from a blend of select basswood and birch.
More Specification..!!
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